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Satire In Contemporary African Drama
[A CASE STUDY OF HARVEST OF CORRUPTION BY FRANK OGODO OGBECHE AND DEATH AND THE KINGS HORSEMAN BY WOLE SOYINKA]
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CHAPTER ONE
INTRODUCTION
Background of the study
The literature of people is the one that seeks to discuss, expose and propose solutions to the daily problems of society, be it social, economic, moral, political or otherwise. Since literature is seen as reflecting life, literature and society are inseparable. To a certain extent this inspires literary artists who bring theories into the literature to affect their art in order to propose solutions to these problems and to show the way forward.
Satire is a kind of literature and sometimes graphic and performing arts, where vices, follies, abuses and falsities are bound to ridicule ideally with the intention of humiliating individuals and society itself, Even in improvement although Satire is usually funny, A more important purpose is often social corrective or constructive criticism using the mind as a weapon. Satire is now found in many forms of artistic expression, including literature, plays commentary and media. The word satire comes from the Latin word Satur and from the following sentence LanxSatura. Saturation meant “completeâ€, but the juxtaposition with Lanx moved the meaning of “variety or pasticheâ€, meaning a combination of different kinds. The Satirist uses a range of stylistic methods that can include irony, mockery, and Exaggeration and so on to attack madness.
According to Charles Sanders, satire dissipates the illusions that man needs to live. Because he always deals with the contemporary, he runs the risk of living only a short life. It is said that satire offers neither the escape of comedy nor the purgation of tragedy. It is only a mixture of unresolved irritating pleasure (15)
Satire is a creative genre in which the criticism of certain cultural or other activities is manifested by a strong use of irony and sarcasm. This type of criticism can be humorous, although entertainment and humor are not necessarily the main goals, humor is often used to compensate for the harshness of the criticism itself. Satire works effectively in a society that is aware of the acceptable standards of morality and manner. To achieve this goal, the satirist must take certain values against which one can depict a sudden drop in the standard of behavior or aberration.
In general, someone uses this type of criticism to show offense or offense to someone else’s actions or words. It can be expressed in several different ways, however, and direct criticism can ultimately feel like a person is simply “preaching†his opinion to others, using more creative methods allows someone to express the idea In a more disarming manner, the real message of the criticism to more clearly come across, often the use of the mind, sarcasm and irony.
As Adeseeke (2008) pointed out, a large-scale introduction to the dramatic writings of Wole Soyinka and a thorough and complete study of satire in fourteen of the Childe International Soyinka plays to King Baabu and sketches before the Blackout. Ebewo Patrick treats satire as an instrument of criticism, a literary genus and an establishment in society. He reconnoiters the antiquity and definition of sarcasm in various cultural contexts, approaching Soyinka as an African satirist influenced by Western and African satirical modes. He considers the functions of comic and tragic satire in Soyinka’s exhibitions on the African socio-political scene and politicians, religious hypocrites, mystical opportunists, avid women and prostitutes. The author also suggests some reflections on the effectiveness of Soyinka satire and literature as a weapon for addressing contemporary problems and effecting change in society (Ebewo, 2002).
Frank OgodoOgbeche showed how corruption permeates government institutions and every fabric of the society as well as the devastating effect corruption has on our everyday life.
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